A real .cube LUT
A 33-point 3D LUT that loads in DaVinci Resolve, Premiere Pro, Final Cut Pro, After Effects and OBS. Apply it to one clip or the whole timeline.
Drop a reference frame and your clip. Lut works out the look and gives you a .cube LUT you can use in Resolve, Premiere or Final Cut, plus a graded copy of the clip. Great for making AI shots sit next to real footage.
golden-hour.jpgA001_match.cubeDrag across the frame to compare. Your clip on the left, matched on the right.
Lut does the matching. You keep full control in the editor you already use.
A 33-point 3D LUT that loads in DaVinci Resolve, Premiere Pro, Final Cut Pro, After Effects and OBS. Apply it to one clip or the whole timeline.
Colour is transferred in OKLab, a space built around how eyes see, so skin stays skin and highlights don't go muddy.
Use a still, a frame grab or a whole clip as the reference. Match photos, video, or AI generations.
Lut also writes the graded clip with ffmpeg, at full quality, beside the original. The original is never touched.
Batch a folder of shots against one look.
No nodes, no curves, no scopes, unless you want to take it further.
Any frame with the look you want: a film still, a photo, a hero shot.
Lut samples both and builds the colour transform between them.
Take the .cube into your editor, or use the graded copy as it is.
Lut has no servers. Your footage, references and LUTs stay on your machine.
No sign-up, no email. Open it and go.
Everything is computed on your machine. Your footage never leaves it.
No analytics, no crash reporting, no ads. Ever.
The latest version. It checks for updates and installs them with one click.The first release is on its way. Watch the GitHub repo or get it through PXL when it lands.
Unzip and move Lut to Applications. The first time, right-click it and choose Open.
Run it. If SmartScreen appears, click More info, then Run anyway.